A recent music concert with Markkuma Nenjama in Chennai that was poorly managed and reportedly marred by disorder, panic, and turbulence received harsh condemnation.
Concert Issues with AR Rahman: A lot of fans who spent thousands of rupees on tickets for the AR Rahman concert were turned away.
For all of his fans who were unable to attend his most recent music performance, Marakuma Nenjama, which took place on East Coast Road in Chennai on Sunday, Concert Issues with AR Rahman has stepped up with answers. As a result of the concert’s organisers’ failure to effectively direct ticket holders through admission points, there were a number of attention-grabbing incidents, including mismanagement, harassment, and mayhem. There were rumours that the event organisers oversold tickets after a number of fans with costly tickets were turned away from the event location due to crowding.
Many admirers criticised Concert Issues with AR Rahman for the shoddy organisation of the music event on Twitter. The complaints from the supporters about harassment of women in the audience only exacerbated their resentment. The Academy Award-winning composer has now reacted to supporters. Concert Issues with AR Rahman said “Dear Chennai citizens,” he wrote in a tweet, “please send your ticket purchase data with your concerns at [email protected]. If you purchased tickets but were unable to enter owing to terrible circumstances. Our team will react quickly.
Concert Issues with AR Rahman has advised followers to send emails to a specific address in order to get ticket refunds and address other concerns about the concert.
The rapper wrote: “Some people call me the G.O.A.T., this time, let me be the sacrificial goat to wake us all up.” in a post on Instagram. Let’s create a world-class basis for Chennai’s live arts, tourism development, adept crowd and traffic control, audience-inspiring rule compliance, and a safe and genuine experience for kids and women. Celebrating our well-educated and brilliant local and foreign talent, reviving Chennai’s cultural life!”
Concert Issues with AR Rahman: AR Rahman provided an explanation of what went wrong in an interview with The Hindu. “The organisers (ACT Events) had set up about 46,000 chairs at the venue,” he claimed. In some places, no one moved to the other side and everyone sat on one side. The police officers on duty at that time decided to close the venue because it was too packed. The show had already begun at that point.
It was like a cyclone that we hadn’t anticipated, said Rahman. We performed 20 shows in the US last year, and due to our confidence in the local system, everything went without a hitch. Even while “Marakuma Nenjama” continues to be India’s highest-grossing show, interpersonal skills are more crucial than actual music events. And I didn’t have much power over that. I was aware of the songs to include, the singers to invite, and the musical delight to present to the audience, but going forward, artists will have to take the initiative in evaluating these agreements in light of contracts. It more closely resembled an error of judgement.
In response, other supporters said that the Concert Issues with AR Rahman goes beyond simple financial concerns. In a comment, a person questioned AR Rahman’s lack of repentance. Another said, “Sir, please put people’s safety first.” Money is not as essential as this.
Thanthi TV has been informed by Tamil Nadu DGP Shankar Jiwal that he has ordered the Tambaram police department to check into the Concert Issues with AR Rahman. The review will look into the reasons behind the organisers’ decision to resume ticket sales as well as complaints that some ticket holders were denied parking or seats at the show. Jiwal has agreed to examine the organisers ticketing procedure as well. Thanthi TV reports that the organisers would be given a show-cause notice outlining the reasons for the decision following the preliminary examination.
More Details AR Rahman:
A.R. Rahman was born in Madras (now Chennai), India, on January 6, 1966 under the name A.S. Dileep Kumar. He is a well-known Indian composer who has amassed a large body of work for the theatre and screen, earning him the loving moniker “the Mozart of Madras.”
R.K. Sekhar, a well-known Tamil musician who also wrote music for the Malayalam cinema business, was Rahman’s father. Rahman began studying the piano at the age of four, which marked the beginning of his musical career. His actual love, though, was computers and electronics. Rahman’s father’s acquisition of a synthesiser, which allowed him to explore his passion of music while pursuing his technical interests, was a pivotal turning point in his life.
while Sekhar passed away while Rahman was just nine years old, tragedy struck. Rahman began playing the piano for a living at the age of eleven in order to support his family. He dropped out of school but was given a scholarship to study at Trinity College, Oxford, where he received a degree in Western classical music, thanks to his professional experience.
After his sister’s recovery from a major illness in 1988, Rahman’s family converted to Islam, and he took the name Allah Rakha Rahman. He switched his focus from performing in bands to writing commercial jingles as he grew sick of doing so. More than 300 jingles were written by him, and he later said that the experience had taught him discipline because creating jingles required conveying a strong message or emotion in a brief length of time.
Mani Ratnam and Rahman met in 1991 while both were attending an awards ceremony for their work on a coffee advertising. Ratnam convinced him to start writing music for films, which was the start of their partnership. “Roja” (1992), their maiden endeavour, became Rahman’s first successful film soundtrack. He later composed the soundtrack for more than 100 films, including the legendary “Lagaan” (2001), the first Bollywood movie to receive an Academy Award nomination. The albums of Rahman have sold over 100 million copies.
Rahman was contacted to write a stage musical by renowned British composer Andrew Lloyd Webber after hearing some of Rahman’s soundtracks. Rahman collaborated with lyricist Don Black to create the music for “Bombay Dreams,” a colourful parody of Bollywood movies. With low expectations, the show made its West End debut in 2002, but it quickly garnered popularity, particularly among London’s sizable Indian population. Due to its success, a Broadway version was released in 2004.
“The Lord of the Rings” was the subject of Rahman’s subsequent stage play, which made its Toronto debut in 2006. Rahman collaborated with the Finnish folk group Värttinä on the $25 million project to write a musical score that encapsulated J.R.R. Tolkien’s fantasy world. Although the play opened in 2007 to mixed reviews in both Toronto and London, it was a moderate success with crowds.
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